Argument against Exclusive Psalmody from the Psalms

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As for the argument surrounding Col. 3. I'm not one to play the speculative game, but I do wonder how else Paul would communicate the gravity of the content which we sing if not for the "word of Christ". It's far more of a stretch to me to conclude that the word of Christ must encompass an uninspired sinful man's words than the sweet psalmist of Israel's inspired words.

Question re Col. 3 and Eph. 5: What if a 1st Century church sang in worship the divinely inspired songs of another OT book? e.g. the song of Moses and Miriam in Exodus? Would they be in sin because Paul meant the three categories to be a one-to-one mapping of the titles given to the Psalms by the scholars who translated the LXX?
 
I didn't think Dickson was a member of the Assembly (haven't been able to confirm that). But more importantly, what source are you quoting from per these quotes please? Don't recall them in Truth's Victory Over Error and curious where he wrote this (I might just not have noted it from TVOE at the time of reading but surprised I didn't quote if that's where your quotes are from). Thanks.
Reverend Leuven, it is indeed in TVOE, in that question on singing of Psalms, in chapter 21 of his exposition. I can't pull the direct page number, as I'm currently at work.
 
Question re Col. 3 and Eph. 5: What if a 1st Century church sang in worship the divinely inspired songs of another OT book? e.g. the song of Moses and Miriam in Exodus? Would they be in sin because Paul meant the three categories to be a one-to-one mapping of the titles given to the Psalms by the scholars who translated the LXX?

That's another question to be sure. I'm not sure of any EP folk who think Paul was creating a 3 dimensional feature space out of the psalter. I do think his language gives us good reason to believe that he surely had the psalter in mind.
 
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Question for those who hold to uninspired hymnody. How do you exegete Christ’s words in Hebrews 2:12 (which of course quotes his words in Psalm 22:22)…

“Saying, I will declare thy name unto my brethren, in the midst of the church will I sing praise (hymneō) unto thee.”

Specifically, what does this passage mean? How does Christ sing in the midst of the church? Do you believe Christ is the song leader when we gather for public worship?
 
Question for those who hold to uninspired hymnody. How do you exegete Christ’s words in Hebrews 2:12 (which of course quotes his words in Psalm 22:22)…

“Saying, I will declare thy name unto my brethren, in the midst of the church will I sing praise (hymneō) unto thee.”

Specifically, what does this passage mean? How does Christ sing in the midst of the church? Do you believe Christ is the song leader when we gather for public worship?
It seems rather straightforward, I don’t see EP in this at all. Not when viewed in the totality of Scripture.

How do you explain the Christians in Revelation 15, who after defeating the beast, sing a new song of Moses? Why aren’t they singing a psalm? Why are there additional songs in Scripture after David’s lifetime, including ones by his own son Solomon?
 
It seems rather straightforward, I don’t see EP in this at all. Not when viewed in the totality of Scripture.

How do you explain the Christians in Revelation 15, who after defeating the beast, sing a new song of Moses? Why aren’t they singing a psalm? Why are there additional songs in Scripture after David’s lifetime, including ones by his own son Solomon?
You didn’t tell me your view of the meaning of the passage or answer the questions I put forward. Interested in doing so?
 
You didn’t tell me your view of the meaning of the passage or answer the questions I put forward. Interested in doing so?
Please read the first two sentences of my reply, I addressed it. Again, it seems straight forward, and in the totality of Scripture (the hermeneutic we all should use) I don’t follow the mental theological gymnastics one must maneuver to reach the point that this, by good and necessary consequence, demands exclusive psalmody. All I see is the author of Hebrews quoting a psalm.

Now that I’ve answered your question twice, would you be so kind as to answer mine? If you demand more thorough exegesis, please pardon me as I am a layman.
 
Please read the first two sentences of my reply, I addressed it. Again, it seems straight forward, and in the totality of Scripture (the hermeneutic we all should use) I don’t follow the mental theological gymnastics one must maneuver to reach the point that this, by good and necessary consequence, demands exclusive psalmody. All I see is the author of Hebrews quoting a psalm.

Now that I’ve answered your question twice, would you be so kind as to answer mine? If you demand more thorough exegesis, please pardon me as I am a layman.
Well brother, you didn’t address the meaning of the passage but simply said that it seems straightforward and you don’t see EP in it at all. I wasn’t laying a trap, was genuinely interested in others’ views on the meaning of the passage (notice I didn’t ask it of you or anyone specifically, just in general of those who don’t hold to EP).
 
Well brother, you didn’t address the meaning of the passage but simply said that it seems straightforward and you don’t see EP in it at all. I wasn’t laying a trap, was genuinely interested in others’ views on the meaning of the passage (notice I didn’t ask it of you or anyone specifically, just in general of those who don’t hold to EP).
I’m not sure what more it is that you are expecting from me, I honestly do not see where you are going with this. And because you are asking the board to exegete it before making your argument, it does feel like a trap to be candid.

I will try to exegete it the best I can, though you are not giving me the same consideration; I see the author of Hebrews, under divine inspiration, referring to how Christ is not ashamed of His people as we all have the same source. He then goes on to quote Christ, quoting a psalm. The quote is in reference to Christ singing over His people, we see similar in Zephaniah.

Will you now answer my two questions or does this road only go one way?
 
Will you now answer my two questions or does this road only go one way?
How do you explain the Christians in Revelation 15, who after defeating the beast, sing a new song of Moses? Why aren’t they singing a psalm? Why are there additional songs in Scripture after David’s lifetime, including ones by his own son Solomon?
David, I apologize if I offended, I did ask the questions simply as wondering how others would answer it, and you did answer it.

I would say concerning Revelation 15 that it’s not a didactic passage, i.e. showing God’s prescriptive will for our singing together in the church at this present time. And as for other songs in the Bible both before and after the Psalms were compiled, I’d just say there is biblical evidence that the OT church considered the book of Psalms to be their song book for public worship. The Hebrew name of the book is “book of praises,” so that seems to imply a certain use of it for the church.
 
David, I apologize if I offended, I did ask the questions simply as wondering how others would answer it, and you did answer it.

I would say concerning Revelation 15 that it’s not a didactic passage, i.e. showing God’s prescriptive will for our singing together in the church at this present time. And as for other songs in the Bible both before and after the Psalms were compiled, I’d just say there is biblical evidence that the OT church considered the book of Psalms to be their song book for public worship. The Hebrew name of the book is “book of praises,” so that seems to imply a certain use of it for the church.
I forgive you, I was a tad annoyed but that happens in discussions such as these. It’s also hard to gauge tone over text so that is in play as well.

Personally I think the existence of divinely inspired songs in Scripture outside of the book of Psalms, particularly after, is self evident of additional songs and hymns being not only permissible but commanded. What we can both agree on is that the book of Psalms is a tremendous blessing and the church is commanded to sing them. We are not to neglect them, we can at least find common ground on that.
 
But even if it were true, there's still no command to sing Psalms exclusively
The RPW requires a positive command to sing anything. We have that command to sing Psalms. Where is the positive command to sing uninspired songs (and to write them?)
While it might be unthinkable to someone who already holds to EP that Christ would sing anything else, the text itself doesn't say that…And why wouldn't Christ sing the Doxology? Or the Gloria Patri?
Christ is God. I don’t think he did, or ever will, speak words of mere human origin. All his words have always been of divine origin.
Again, Paul knew how to say "Book of Psalms" or "The Psalms". That vocabulary was standard usage in the apostle's day as evidenced throughout the NT. Paul quoted from "the Psalms" often when quoting Scripture. But he didn't use it in the specific context of instructing Gentiles how or what to sing, Gentiles who came from a background of pagan hymnody. That consideration needs to be given due weight.
These were Greek-speaking Christians who would have read their Greek OT’s and seen there that the Psalms were referred to over and over in the headings as hymns and songs, as well as Psalms.
There is no explicit command for exclusive psalmody, and I do not see how we can arrive at it by good and necessary consequence in the text of the NT.
Again, there is the command to sing Psalms. The RPW is not that if man-made hymns are not forbidden, we may sing them. Where is the positive command to write or sing songs of uninspired, human composition in worship?

Those are my responses Rev. Severson, and I hope they don’t come across as impertinent. I respect your office and don’t want to sound otherwise.
 
Was the OT enough for Paul's preaching? Or did he preach from the additional revelation that came in NT times as well? I'm sure you would agree that the content he taught went beyond OT revelation. Now, apply it to his same commands regarding singing. Paul himself makes that parallel instruction, using the same words to describe the purpose of singing. To say the OT is not enough is not to fault the OT. It's just acknowledging it's redemptive historical purpose and limitations. The OT itself taught that more revelation was coming and needed. It was incomplete. It didn't say everything that needed to be said regarding God, Jesus, and our salvation. That is not dispensational, that is simply acknowledging what the Bible says about itself.
There seems to be a lot of assumption by appealing to a new audience and additional revelation of the times. I am going to ask a question based upon this; Augustine is noted as saying, "the New is in the Old concealed, and the Old is in the New revealed." Doesn't it seem their content should be the same?
 
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In verse 3 it’s literally called a new song, and that no one else could learn it except the 144k. Kind of hard to argue that I would hope.
What is the content of that song? There are psalms that contain that same wording. It is not established that the new song in revelation 14 is in fact a newly composed song. It may be but we don’t know. Seems like shaky ground to establish a doctrine of singing newly composed songs.
 
What is the content of that song? There are psalms that contain that same wording. It is not established that the new song in revelation 14 is in fact a newly composed song. It may be but we don’t know. Seems like shaky ground to establish a doctrine of singing newly composed songs.
God’s not the author of confusion, God’s word says it’s a new song. You say we don’t know for sure if it is new song.. I’m not sure anything else needs to be said at this point. The people reading this discussion can choose for themselves.
 
God’s not the author of confusion, God’s word says it’s a new song. You say we don’t know for sure if it is new song.. I’m not sure anything else needs to be said at this point. The people reading this discussion can choose for themselves.
We’ll that’s a lot that could be said on how new song is to be interpreted but there are plenty of threads on PB that can be searched that cover that topic for whoever is interested.
 
God’s word says it’s a new song
New as in not of the old creature but now of the new creature. "you are a new creation" as opposed to the old.

That is the old songs that you sung in the bar were drunk songs about capping people and raping your ho (is that the right spelling) [NOTE: I hope no one did that but those are the worldly songs of today], but sing a new song. Song of redemption of the redeemer. That's typically how "new song" is interpreted. Same argument as for the defining of "all". All means all right except when it doesn't mean literally all everywhere at all times. It means all Jews, etc. The context determines the meaning of the word.

Psa 40:1 To the chief Musician, A Psalm of David. I waited patiently for the LORD; and he inclined unto me, and heard my cry.
Psa 40:2 He brought me up also out of an horrible pit, out of the miry clay, and set my feet upon a rock, and established my goings.
Psa 40:3 And he hath put a new song in my mouth, even praise unto our God: many shall see it, and fear, and shall trust in the LORD.

Here's an example of that in the context of salvation/deliverance, and here it isn't compose a new song, but the Lord put a new song in my mouth. Many times in the Psalms "new song" is found in the context of salvation.

In Rev. 14 they sang a new song of which the REDEEMED 144,000 alone could learn -- "which were redeemed from the earth". Context is King!

Nowhere is there a command to compose a new song, when new song is used where scripture is most clear that new song was put in the mouth of those who sang by the Lord.
 
New as in not of the old creature but now of the new creature. "you are a new creation" as opposed to the old.

That is the old songs that you sung in the bar were drunk songs about capping people and raping your ho (is that the right spelling) [NOTE: I hope no one did that but those are the worldly songs of today], but sing a new song. Song of redemption of the redeemer. That's typically how "new song" is interpreted. Same argument as for the defining of "all". All means all right except when it doesn't mean literally all everywhere at all times. It means all Jews, etc. The context determines the meaning of the word.

Psa 40:1 To the chief Musician, A Psalm of David. I waited patiently for the LORD; and he inclined unto me, and heard my cry.
Psa 40:2 He brought me up also out of an horrible pit, out of the miry clay, and set my feet upon a rock, and established my goings.
Psa 40:3 And he hath put a new song in my mouth, even praise unto our God: many shall see it, and fear, and shall trust in the LORD.

Here's an example of that in the context of salvation/deliverance, and here it isn't compose a new song, but the Lord put a new song in my mouth. Many times in the Psalms "new song" is found in the context of salvation.

In Rev. 14 they sang a new song of which the REDEEMED 144,000 alone could learn -- "which were redeemed from the earth". Context is King!

Nowhere is there a command to compose a new song, when new song is used where scripture is most clear that new song was put in the mouth of those who sang by the Lord.
This is not convincing, even with an explicit example of a new song you have an argument that it is something else. Respectfully, this feels like eisegesis. I hope you don’t receive that as a dig as it’s not meant to be, but that’s just how I’m sincerely perceiving what you’re saying.

It’s kind of like how your camp insists that psalms, hymns and spiritual songs means psalms, psalms and psalms. There gets to a point where it’s just impossible to logically argue any further. As I’ve said elsewhere, EP does not bother me as it’s not my business what other churches do in their house. It’s not a convincing argument though, as all of the points feel razor thin and largely lean on church history. It’s like one has to bend into a pretzel to see it.
 
This is not convincing, even with an explicit example of a new song you have an argument that it is something else. Respectfully, this feels like eisegesis. I hope you don’t receive that as a dig as it’s not meant to be, but that’s just how I’m sincerely perceiving what you’re saying.

It’s kind of like how your camp insists that psalms, hymns and spiritual songs means psalms, psalms and psalms. There gets to a point where it’s just impossible to logically argue any further. As I’ve said elsewhere, EP does not bother me as it’s not my business what other churches do in their house. It’s not a convincing argument though, as all of the points feel razor thin and largely lean on church history. It’s like one has to bend into a pretzel to see it.

None of the arguments rely on church history. The burden of proof is upon the hymn singer to show that any of the ‘difficult’ passages require me to sing an uninspired hymn. You have to prove that ‘hymn’ in Paul must mean “uninspired hymn”.

And for the rhetorical bit on “psalms, psalms, and psalms”, most of NAPARC reads it as “psalms, hymns, and hymns”. Where’s the psalter-hymnal-songter?
 
None of the arguments rely on church history. The burden of proof is upon the hymn singer to show that any of the ‘difficult’ passages require me to sing an uninspired hymn. You have to prove that ‘hymn’ in Paul must mean “uninspired hymn”.

And for the rhetorical bit on “psalms, psalms, and psalms”, most of NAPARC reads it as “psalms, hymns, and hymns”. Where’s the psalter-hymnal-songter?
And that’s another thing, you argue that your issue with hymns is that they are not inspired, but if pressed will refuse to sing inspired songs that are not psalms (there are over 30). It’s inconsistent.

I’ve learned long ago not to get bogged down into these arguments, but still wade into them now and then. This reminds me of when Presbyterians say that there is only one covenant in spite of the numerous passages that say otherwise (I know that’s red meat, not trying to derail the thread). Even with explicit verses there is no “winning”. It just is what it is, you’re going to only see what you want to see.
 
@beloved7

I too wrestleted with the songs in Rev. However, I soon realized something about the nature of that book as a whole. If one is going to use Revelation to support worship content, then one needs to be ready to bring back the bowls, lamps, and incense as well.

Further, I think there is a LONG pedigree of reformed forefathers who signed a document attesting to their opinion that a proper exegesis of “psalms, hymns, and spiritual songs” indeed was a reference to the Greek titles of the psalms. @NaphtaliPress has linked this resource before I think.

I think @Puritan Sailor has some better points still needing to be addressed. I do not think looking at Revelation for worship practice is helpful given the nature of the type of book it is, namely prophetic.
 
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And that’s another thing, you argue that your issue with hymns is that they are not inspired, but if pressed will refuse to sing inspired songs that are not psalms (there are over 30). It’s inconsistent.

I’ve learned long ago not to get bogged down into these arguments, but still wade into them now and then. This reminds me of when Presbyterians say that there is only one covenant in spite of the numerous passages that say otherwise (I know that’s red meat, not trying to derail the thread). Even with explicit verses there is no “winning”. It just is what it is, you’re going to only see what you want to see.
It may be best to slow down here. Firstly, there is a difference in EP (exclusive psalmody) and SSO (Scripture Songs Only). Those are 2 different views. Presbyterians do not believe their is only 1 covenant. The biggest hurdle to engaging one another is when one demonstrates they do not grasp their opponents position. If one does not understand a differing view, one will not be able to give beneficial arguments against it in order to help their opponent be persuaded.
 
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