RamistThomist
Puritanboard Clerk
This book is simply Kreeft. One is reminded again of just how good a writer Kreeft is. While he is not the next Lewis or Chesterton, he is very close. He is witty, ironic, and yet logically thorough. He is not afraid of difficult questions and spends the necessary time fleshing them out, using rigorous Thomistic reasoning at all times.
There really isn't a theme in this book--simply his analysis of a number of issues and questions that people ask about heaven (and it goes to say that children have superior theological intellects than do theologians--children ask far better questions).
The first section of the book contrasts the medieval mindset with the modern mindset, not only about heaven but about all of reality. The medieval win easily. For the medievals earth is the training ground of heaven. Earth matters (matter matters) because heaven matters. One could thus summarize medieval art as "spirituality" infusing matter. This doesn't mean that the art is "spiritual" (which of course for Evangelicals means "not real"), but that the matter has been energized by heaven.
Kreeft explores the reality of hell and the nature of hell. Surprisingly, although a Roman Catholic, Kreeft gives very Eastern answers to this question.Kreeft sees us as either experience God's energies as light (heaven) or fire (hell).
My qualm with the book. The Bible speaks of the eschaton more as "the renewed creation of new heavens and new earth" than it does as "beautific vision." Of course, both points are true, but Kreeft only focuses on the second one.
There really isn't a theme in this book--simply his analysis of a number of issues and questions that people ask about heaven (and it goes to say that children have superior theological intellects than do theologians--children ask far better questions).
The first section of the book contrasts the medieval mindset with the modern mindset, not only about heaven but about all of reality. The medieval win easily. For the medievals earth is the training ground of heaven. Earth matters (matter matters) because heaven matters. One could thus summarize medieval art as "spirituality" infusing matter. This doesn't mean that the art is "spiritual" (which of course for Evangelicals means "not real"), but that the matter has been energized by heaven.
Kreeft explores the reality of hell and the nature of hell. Surprisingly, although a Roman Catholic, Kreeft gives very Eastern answers to this question.Kreeft sees us as either experience God's energies as light (heaven) or fire (hell).
My qualm with the book. The Bible speaks of the eschaton more as "the renewed creation of new heavens and new earth" than it does as "beautific vision." Of course, both points are true, but Kreeft only focuses on the second one.