Originally posted by Kaalvenist
I'm aware of a total of two Reformed Baptist churches that believe in and practice unaccompanied exclusive psalmody -- Emmanuel Church Salisbury (England), and the Reformed Baptist Church of Topeka. I'm also well aware of John Price's book. But I can hardly regard that as a "movement" toward unaccompanied exclusive psalmody in Reformed Baptist circles.
Although all Baptists formerly rejected musical instruments (along with all Presbyterians, Congregationalists, Reformed, etc.), I am not aware of any historical position of exclusive psalmody. Many of the Reformed Baptists in the 17th century rejected the idea that singing of praise (regardless of what is sung) was an ordinance of New Testament worship; they were severely criticized by the Puritans for this (see John Flavel's
Vindiciae Legis et Foederis, in which he repeatedly charges his Baptist opponent with neglecting the ordinance of psalmody). Benjamin Keach, one of the ministers who reworked the Savoy Declaration into the Baptist Confession, wrote a work in 1691 (
The Breach Repaired) simply to show Baptists that they should sing in church. The work advocated the singing of uninspired hymns -- he had begun writing his own hymns for use in his church as early as 1673, many years before Dr. Watts.
The difference between the three British Calvinist Confessions on this subject is noticeable...
Westminster: "singing of psalms with grace in the heart"
Savoy: "singing of psalms"
Baptist: "teaching and admonishing one another in psalms, hymns, and spiritual songs, singing with grace in our hearts to the Lord"
Given the fact that Keach, a hymn-writer and hymn-singer, was an influential minister for Baptist churches of that period (he authored a famous catechism, usually bearing his name, which was a revision of the Westminster Shorter Catechism), and an important contributor at the assembly which authored the Second London Baptist Confession; I can't help but think that the change in the wording of the Confession at that point reflects the practice of singing uninspired hymns.
And John Gill did not believe in exclusive psalmody. He understood Ephesians 5:19 and Colossians 3:16 as referring exclusively to the Psalter; but in his
Body of Practical Divinity, he immediately qualified that interpretation by saying that we can still sing uninspired, non-canonical songs written by good men.
But inasmuch as the "word of God" and Christ in general furnishes out matter for singing his praises, I deny not, but that such hymns and spiritual songs, composed by good men, uninspired, may be made use of; provided care is taken that they be agreeable to the sacred writings, and to the analogy of faith, and are expressed as much as may be in the scripture language. (Gill, Body of Practical Divinity, Book 3, Chapter 7, Section 3c)